It's unfortunate, but it's true: the original versions of many blues classics aren't nearly as well-known as their hit covers by (usually white) rock groups. That's not to say that some of these covers aren't great as well, but it's both educational and enjoyable to hear them from the source's mouth.
Blues Originals contains 18 original versions of classics that went on to reach a wide audience via covers by
the Stones, the
Yardbirds,
Elvis,
Led Zeppelin,
the Doors, and others. The Chess stable of
Howlin' Wolf,
Muddy Waters,
Bo Diddley, Little Walter, and
Sonny Boy Williamson is represented here, of course, along with standards by
Elmore James,
Otis Rush,
Robert Johnson,
Slim Harpo, and
Jimmy Reed. Mixed in with great and fairly available performances like
Bo Diddley's "I'm a Man" and
Howlin' Wolf's "Back Door Man" are some quite obscure and collectable delights.
Arthur Crudup's original version of "That's All Right," covered by
Elvis Presley for his first single, has been surprisingly hard to find over the years; ditto for
Muddy Waters' "You Need Love," which formed the blueprint for
Led Zeppelin's "Whole Lotta Love." Even most
Yardbirds fanatics are unaware that the prototype for "Lost Woman" was taken from (and retitled after) an obscure
Snooky Pryor single, "Someone to Love Me." And even many Chicago blues fanatics will be surprised to find the original version of "Got My Mojo Working," which was not recorded by
Muddy Waters, but little-known jump blues singer
Ann Cole. A fine collection, mixing together famous standards and obscure gems with thorough liner notes.
–
Richie Unterberger, Rovi