Without a doubt, 1969 is the most important year in the career of drummer, producer, and songwriter
, without whom the pop music of the '70s would have sounded quite different. Competing only in importance might be the date when
first held drum sticks in his hands -- the musical kind, not fried chicken. But that date has yet to be as firmly established as the official founding of the
. For much of the following decade this became the "in" rhythm section for a variety of artists whose main concern was either chart success or the desire to achieve it.
For the most part,
Hawkins has a superb reputation; he is clearly on the short list of great American studio drummers. Nonetheless, not every decision involving the utilization of the
Muscle Shoals Sound Rhythm Section is considered brilliant in retrospect. In particular, fans of the free-flowing jazz-rock of the British band
Traffic point out that leader
Steve Winwood's decision to literally ditch his loyal players, such as
Jim Capaldi and
Rick Grech, in favor of the
Muscle Shoals' mob was the beginning of the end, obscuring the group's happy creativity in a fog of timid funk. Nonetheless, the way many famous artists considered their options during this period was pretty simple: get the
Muscle Shoals Sound Rhythm Section for that next record, or die.
Hawkins' drumming is featured on projects by
Paul Simon,
the Staple Singers,
Leon Russell,
Sam & Dave,
Cher,
Bob Seger,
Eddie Rabbitt,
Rod Stewart,
Willie Nelson,
Joe Cocker,
Linda Ronstadt, and
Percy Sledge. That, of course, is just a short list.
The drummer started out gigging at dances and clubs in Alabama and Tennessee, eventually leading to a house band gig at an Alabama studio optimistically called FAME. In this capacity, he backed up some of the finer recordings of soul giants such as
Aretha Franklin and
Wilson Pickett, establishing a snare drum snap so dynamic that at times it seemed as if the stick had been fired from a tightly-wound crossbow. The aforementioned guitarist
Johnson was one of his associates from this studio, and by the end of the '60s they had stepped out to start their own Muscle Shoals Sound Studio. The rock giants were soon flocking, with some, such as
Winwood and later,
Eric Clapton, also nabbing
Hawkins for touring assignments.
Often in partnership with
Beckett,
Hawkins has also branched into songwriting and production. The duo were responsible for the hit entitled "Starting All Over Again" by
Mel & Tim, and have also produced tracks for
Paul Simon,
Bob Seger, and
Canned Heat, among others. After selling their original studio early in the '90s,
Hawkins opted to continue managing the facility under the new owners. His expertise both as a player and philosophical overlord has continued to be in demand throughout the overlapping styles of rock, rhythm and blues, gospel, and country.
Traffic fans just cross their fingers that he won't be the drummer who gets the call if there is ever a reunion of this group.
–
Eugene Chadbourne, Rovi